You can create a great bass pattern using the octave, the fifth, and the sixth intervals of each chord. When you are ready to do that, well… again, you’ll have a nice, solid foundation. I would reduce the Campari to 1/2 ounce. Advanced ballad comping exercise 8. Here, the left hand plays a simple chord progression with several different rhythmic patterns. The Negroni is this wonderful mix of pungent punch of flavor with herbal spice and ribbon of sweet weaved through it in excellent balance and harmony. ..this is not it. I would reduce the Campari to 1/2 ounce. The great Chuck Berry made the locomotive-sounding pattern demonstrated in “Berry-Style Blues” very popular on the guitar. After all, why use them if they go unnoticed. Then move on to the blues. The more comfortable you are with the pattern, the more easily you can apply it to any key, any chord, and any scale. Strain into chilled martini glass. Practice 2-5-1 bass lines in all keys. “Bum-ba-di-da” is one such pattern that was made famous by Roy Rogers in his show-closing song, “Happy Trails.” All you need are three notes from each chord’s scale: the root, the fifth, and the sixth. You'll learn Stride-Ballad Left Hand techniques, rootless voicings, and right hand The Negroni is one of my very favorite cocktails. This is a solo piano lesson that puts the spotlight on the left hand, so you won’t have to be concerned with getting fancy with that melody. Workshop Level 3. Play them back and forth, over and over. Learn to play a beautiful cocktail jazz piano accompaniment over the major and minor turnaround progression. Most Requested Cocktail Piano Tunes: Pop. It is one of those cocktails that lingers long on the palate. But more importantly, it’s better to understand the building blocks of Cocktail Jazz Improv, which I call an Improvisation Device. Let the left hand do the work, play less in the right hand, simple rhythmic stuff. I would reduce the Campari to 1/2 ounce. Garnish with cherry. Martha Mier are more difficult to play. Play these a few times and decide which rhythmic pattern works, sounds, and feels best to you. Play the root note on beat 1 and the top two notes together on beat 2. Also, you should experiment with various rhythmic patterns. I love it so much I can’t help but play with the recipe, tweaking it with different ingredients, a spice here or there, varying the measurements, sampling with varied spirits. If you want to hear a guy who really does this well, look for Dave McKenna recordings. This will give you 10 different options when approaching a lead sheet. Sam Ross of New York’s Attaboy created this recipe as “the love child of a Negroni and a Manhattan,” sort of an extra-bitter Boulevardier. I think he Maybeck Recital hall recording has him jamming on walking piano bass for most of his songs. Your pinky will find the two alternating bass notes because they’re always the same distance from the root. While wonderful, Campari can overpower a cocktail with its strong flavor. Chat with Cheri. A major disappointment. Advanced blues piano tutorial - playing blues in E 9. Answers: Improvisation Over Steady Left Hand Purchase Options: Purchase this individual lesson as a download and get the same content as what members see...but you … It is one of those cocktails that lingers long on the palate. It’s a good idea to play these three notes in the left hand (omitting the fifth) while playing altered scale fills. A cocktail piano walkthrough 3. Four heavy dashes brings lots of mocha depth to this cocktail. In this lesson we are going to: Play a piece with your left hand; Learn to Read Bass Clef; Introducing the Left Hand Piano Course: The Way You Look At Me Cocktail Piano 2. All Rights Reserved. Glen, Thank you very much for everything. Dabbling in the world of cocktails one spirit at a time…. Stir to chill. 3/4 ounce Carpano Antica Formula {Red Vermouth}. Chat with Cheri @Intoxicologist on Twitter and facebook.com/Intoxicologist or str8upcocktails@gmail.com, The Left Hand cocktail caught my eye for one very specific reason. The upper three notes of the chord are played with the right hand and the keynote is played with the left hand: ... With cocktail piano, the dominant with the raised fifth also fits nicely: 3rd variation C G7#5 C If you have one and the same chord over a longer period of … Try this rockin’ accompaniment along with “Rockin’ Intervals.” You can modify the pattern to fit a two- or one-measure pattern in 4/4 meter. Left-hand chord picking is a style well suited to country music. The Negroni is often served on the rocks or in a chilled martini glass. Left Hand Cocktail Suggested Modifications. Right-hand leading in pop piano … Piano improvisation back to basics: 6/6/2011: 78. It doesn’t even need a melody. root, third and seventh of the original dominant chord. This bass line uses notes from a major scale but lowers the seventh note of the scale a half step (also called a flatted seventh) to give you that bluesy sound. Author Adrienne Stillman suggests also trying the Right Hand, made with rum instead of bourbon, which was created by Sam’s business partner Michael McIlroy. Visit the ukulele pages. There are some tunes in the cocktail piano repertoire that are more traditionally thought of as pop, but have a very distinctive jazz or piano-centric vibe, such as the following: Piano Man (Billy Joel) Just the Way You Are (Billy Joel) In My Life (The Beatles) Unforgettable (Gordon) In general, pianists should have about 1 hour of material that they can play competently before being ready for a solo piano gig. However, there’s an accompanying 90-minute video to guide you, so you should have few problems even if you’re only a relative beginner when it comes to reading music. Looking for true cocktail piano with richness and complexity. When the chord changes, keep your hand in octave position as you move directly to the next set of octaves. For each new chord in the boogie-woogie bass line, you play the following scale notes up the keys and then back down: root, third, fifth, sixth, flatted seventh. In addition to slamming octaves, a nice rock and roll-sounding bass pattern may use other intervals drawn from scale notes. A quick piano blues turnaround 6. A couple of useful turnarounds / vamps 5. To be clear, that should give you a pattern in the right hand of the following notes (the first in each line is the main beat that coincides with the left hand): The octave in the left hand can be the root of the chord or another designated note in the chord. For example, the octaves in “Jumping Octaves” move from the root note to the third interval note to the fifth interval note for each right-hand chord.